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color:#000000color:#ffcccccolor:#ff6666color:#ff0000color:#cc0000color:#990000
color:#660000color:#330000color:#ffcc99color:#ff9966color:#ff9900color:#ff6600
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color:#ffcc33color:#cc9933color:#996633color:#663333color:#ffffcccolor:#ffff33
color:#ffff00color:#ffcc00color:#999900color:#666600color:#333300color:#99ff99
color:#66ff99color:#33ff33color:#33cc00color:#009900color:#006600color:#003300
color:#99ffffcolor:#33ffffcolor:#66cccccolor:#00cccccolor:#339999color:#336666
color:#003333color:#ccffffcolor:#66ffffcolor:#33ccffcolor:#3366ffcolor:#3333ff
color:#000099color:#000066color:#ccccffcolor:#9999ffcolor:#6666cccolor:#6633ff
color:#6600cccolor:#333399color:#330099color:#ffccffcolor:#ff99ffcolor:#cc66cc
color:#cc33cccolor:#993399color:#663366color:#330033

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Baroque was a cultural movement and style in European art, originating around 1600 in Rome. The Council of Trent (1545–63), in which the Roman Catholic Church answered many questions of internal reform, addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed. This turn toward a populist conception of the function of ecclesiastical art is seen by many art historians as driving the innovations of Caravaggio and the Carracci brothers, all of whom were working (and competing for commissions) in Rome around 1600. The appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, and theatrical. Baroque art drew on certain broad and heroic tendencies in Annibale Caracci and his circle, and found inspiration in other artists like Correggio and Caravaggio and Federico Barocci, nowadays sometimes termed "proto-Baroque". Germinal ideas of the Baroque can also be found in the work of Michelangelo.